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Live picture of everything in motion — the two tours, the special, content, product and commercial. One place to see where we're at and what's next.
Two tours running in parallel — Good To Be Here across the UK & Ireland in January 2027, and a Canada run in November 2026. Separately, Hometown — Sean's already-recorded special — is going up for online sale, with reels + audio product coming off it, plus corporate and brand work ticking. The pitch pack is live and outreach is out — first venue replies are landing.
Good To Be Here · Jan 2027. Pack live, warm venues contacted — The Stand has already come back with January availability.
Canada run, ~2 weeks end-Oct→Nov 2026. Holding for Sean's confirmation of which areas he can play + what's already booked.
The already-recorded special we're putting online — separate from the live tour. Awaiting a music/credits change, then digital sale (+ reels, audio, SiriusXM).
January 2027 · UK & Ireland. A focused co-promote run. Pitch pack is live and being sent to warm rooms; we anchor confirmed dates then route the rest of the country around them.
Hosted EPK + pitch — reach, press, the run, one-pager. Linked in every outreach email.
Touring show — Good To Be Here. The special (separate) — Hometown.
| Venue | Contact | Status | Where it's at |
|---|---|---|---|
| The Stand Edinburgh · Glasgow · Newcastle | Eva Mackay (books w/ Tammie) | Replied | Sent Jan 2027 avails across all three rooms — see Date Offers below. JR to pick + reply. |
| Leicester Square Theatre London flagship | Johanna Rigg | Sent | Reconnect + Jan 2027 avails requested; preferential rental-against-split on file. Awaiting reply. |
| Others (Glee · Comedy Store · regionals) | — | Queued | Drafted to fire once anchor dates land, so we route around confirmed rooms. |
Rooms: Edinburgh (cap 140) · Glasgow (220–270) · Newcastle (280). Matinees 4–6pm at weekends, 8pm evenings midweek, no Fridays. "×3" = all three rooms open.
| Week | Sat | Sun | Mon | Tue | Wed | Thu |
|---|---|---|---|---|---|---|
| 1 | 2 · 4–6 ×3 | 3 · 4–6 ×3, 8pm ×2 | 4 · 8pm | 5 · 8pm ×2 | 6 · 8pm ×2 | 7 · 8pm ×3 |
| 2 | 9 · 4–6 ×3 | 10 · 4–6 ×3, 8pm ×3 | 11 · 8pm ×2 | 12 · 8pm ×2 | 13 · 8pm | 14 · 8pm |
| 3 | 16 · 4–6 ×3 | 17 · 4–6 ×3, 8pm ×3 | 18 · 8pm ×2 | 19 · 8pm ×2 | 20 · 8pm ×2 | 21 · 8pm ×3 |
| 4 | 23 · 4–6 ×3 | 24 · 4–6 ×3, 8pm ×3 | 25 · 8pm | 26 · 8pm ×2 | 27 · 8pm ×2 | 28 · 8pm ×2 |
| 5 | 30 · 4–6 ×2 | 31 · 4–6 ×2, 8pm | — | — | — | — |
| Feb | 6 · 4–6 ×2 | 7 · 4–6 ×2, 8pm | 1 · 8pm | 2 · 8pm | 3 · 8pm | 4 · 8pm |
Eva's original is a 3-room table that flattened in email — weekend ×3 matinees are all three rooms; exact room for midweek slots to be confirmed with Eva.
November 2026 · ~2 weeks (end-Oct → Nov). Good To Be Here in Canada — Vancouver-born, Canadian Comedy Award nominee, CTV special, JFL galas. A Canadian-born headliner touring his home country; the pack leads on those Canadian credentials.
Holding until Sean confirms which areas he can play + what's already booked in-territory, so we route cleanly.
Canada pitch pack built (Canadian creds). Held — deploys the moment routing's confirmed.
This is the show we're releasing online — Sean's already-recorded 1-hour special, separate from the live Good To Be Here tour. It's done bar an intro/outro music + credits change (JR's on it); then it goes on sale via Sean's website and becomes the engine for reels, audio and the SiriusXM pitch.
Already recorded & complete — awaiting a music + credits change, then live for online sale.
Sale page on Sean's website (behind the music change) — Cooper build + Reed commerce.
Cut-downs via the reel engine to drive the special + tour ticket demand.
Audio release off the special — a second revenue line from the same asset.
Pitch the special to the SiriusXM contact (Maggie + Melissa) — gated on the music/credits lock.
The recurring model — film the shows, post consistently, turn the catalogue into product. Sean's ~1.15M reach makes this the flywheel behind ticket demand.
In-house reel engine cuts headline sets into social + advertising clips. Sean's already set up in the pipeline.
FB 920K · IG 150K · TikTok 81.8K · YouTube. Consistent posting = the digital income model.
Special → audio product; scope further audio from the wider catalogue.
Corporate shows in the £6–10k range (e.g. NHBC) — clean-to-mid material that lands in a corporate room. Steady, repeatable income.
Inbound collab/sponsor offers arrive regularly. Building the triage flow (Reed prices, Maggie processes) so real ones convert and off-brand ones get a fast no.
Standing rule — verbal verification before any money conversation on inbound offers.